Sabine Moritz’s work is a manifestation of memory and release. She returns repeatedly to specific scenes from her childhood that have become indelibly imprinted on her psyche. Some works are created entirely from memory, while for others she interrogates the strength of her visual recollections by studying reportage photographs, newspapers, family album snapshots, and other found images. Her paintings portray the personal and collective history of, and the passing of, a period in time.
Moritz started her studies at Hochschule für Gestaltung Offenbach (from 1989 to 1991) and completed her studies at Kunstakademie Düsseldorf (graduated 1994). Moritz has been widely exhibited in group and solo exhibitions in Düsseldorf, Brussels, Paris and London. Selected solo exhibitions of Moritz’s work include: Dawn, Marian Goodman Gallery, Paris (2016); Blumen, Masken, Schädel, Galerie Haas, Zürich (2016); Harvest, Pilar Corrias Gallery, London (2015), Schiffe und Wasser, Felix Ringel Galerie, Düsseldorf (2015); Sabine Moritz, Von der Heydt-Kunsthalle, Wuppertal (2014); Concrete and Dust, Foundation de 11 Lijnen, Oudenburg (2013); Lobeda, Kunsthaus sans titre, Potsdam (2011). Selected group exhibitions include: Faber-Castell International Drawing Award 2012, Neues Museum – Staatl. Museum für Kunst und Design, Nuremberg (2012); and The Good, The Bad & The Ugly, Cultuurcentrum Mechelen, Mechelen (2010).
Sabine Moritz lives and works in Cologne.