Born 1995 in Bellevue, Nebraska. Lives and works in New York.
Gisela McDaniel (b. Bellevue, NE 1995) is a diasporic, indigenous Chamorro artist. Her work is based in healing from her own sexual trauma and reflecting the healing of womxn and non-binary people who have survived sexual trauma. Interweaving assemblages of audio, oil painting, and motion-sensored technology, she creates pieces that “come to life” and literally “talk back” to the viewer upon being triggered by observers. She intentionally incorporates survivor’s voices in order to subvert traditional power relations and to enable both individual and collective healing. Working primarily with women and non-binary people who identify as Black, Micronesian, Indigenous to Turtle Island, Asian, Latinx, and/or mixed-race, her work disrupts and responds to historical/contemporary patterns of silencing in fine art and popular culture.
She aims to heal those who have experienced gender-based sexual violence, giving a voice, space, as well as a confidential vehicle for survivors to not only share their experiences, but to also explore how those experiences have affected them long-term.
Based in Detroit, she received her BFA from the University of Michigan in 2019. Recent solo and group shows include: Manhaga Fu’una, Pilar Corrias, London (2022); A Place for Me: Figurative Painting Now, ICA Boston (2022); The Regional, Kemper Museum of Contemporary Art, Kansas City (2022); Sakkan Eku LA, The Mistake Room, Los Angeles (2021); How Do We Know the World? Baltimore Museum of Art, Baltimore (2021); The Regional, CAC Contemporary Art Centre Cincinnati (2021); Dual Vision, MOCAD (2021); Making WAY/FARING Well, Pilar Corrias, London (2020); Dhaka Art Summit, Dhaka, Bangladesh (2020); On the Road II, Oolite Arts, Miami (2019); Save Art Space, Playground Detroit, Detroit (2019); Lush P(r)ose, Playground Detroit, Detroit (2019); Virago, Detroit Art Babes Collective, Detroit (2019) and Theotokos: New Visions of the Mother God, The Schvitz, Detroit (2018).